Black Pearl Jewelry
Black Pearls – 80% Below Retail Black pearls are a stunning choice in pearl jewelry. “Black pearls” range in color from dark blues and greens to peacock and multi-hued and all are unbelievably gorgeous. Black pearl jewelry is sleek and sophisticated while easily becoming a go-to choice for day to day jewelry. We offer beautiful black pearl earrings, bracelets, necklaces and full sets with prices starting at $45. Choose from black freshwater pearl jewelry, black akoya pearls or black Tahitian pearls in a variety of styles. When it comes to choosing a black pearl necklace, our selection of styles will please any taste. From classic to unique, you’re sure to find black pearl jewelry perfect for every occasion. To learn more about pearls Click Here
Black Pearl Jewelry
Black pearls are a stunning choice in pearl jewelry. “Black pearls” range in color from dark blues and greens to peacock and multi-hued and all are unbelievably gorgeous. Black pearl jewelry is sleek and sophisticated while easily becoming a go-to choice for day to day jewelry. We offer beautiful black pearl earrings, bracelets, necklaces and full sets with prices starting at $45. Choose from black freshwater pearl jewelry, black akoya pearls or black Tahitian pearls in a variety of styles. When it comes to choosing a black pearl necklace, our selection of styles will please any taste. From classic to unique, you’re sure to find black pearl jewelry perfect for every occasion.
Black Pearl Jewelry
Keshi pearls, although they often occur by chance, are not considered natural. They are a byproduct of the culturing process, and hence do not happen without human intervention. They are quite small, typically only a few millimeters. Keshi pearls are produced by many different types of marine mollusks and freshwater mussels in China. Keshi pearls are actually a mistake in the cultured pearl seeding process. In seeding the cultured pearl, a piece of mantle muscle from a sacrificed oyster is placed with a bead of mother of pearl within the oyster. If the piece of mantle should slip off the bead, a pearl forms of baroque shape about the mantle piece which is entirely nacre. Therefore, a Keshi pearl could be considered superior to cultured pearls with a mother of pearl bead center. In the cultured pearl industry, the resources used to create a mistaken all nacre baroque pearl is a drain on the production of round cultured pearls. Therefore, they are trying to improve culturing technique so that keshi pearls do not occur. All nacre pearls may one day be limited to natural found pearls. Today many “keshi” pearls are actually intentional, with post-harvest shells returned to the water to regenerate a pearl in the existing pearl sac.
Since the development of pearl culture technology, the black pearl oysters Pinctada margaritifera found in Tahiti and many other Pacific islands including the Cook Islands and Fiji are being extensively used for producing cultured pearls. The rarity of the black cultured pearl is now a “comparative” issue. The black cultured pearl is rare when compared to Chinese freshwater cultured pearls, and Japanese and Chinese akoya cultured pearls, and is more valuable than these pearls. However, it is more abundant than the South Sea pearl, which is more valuable than the black cultured pearl. This is simply because the black pearl oyster Pinctada margaritifera is far more abundant than the elusive, rare, and larger south sea pearl oyster Pinctada maxima, which cannot be found in lagoons, but which must be dived for in a rare number of deep ocean habitats or grown in hatcheries.
Typically, the build-up of a natural pearl consists of a brown central zone formed by columnar calcium carbonate (usually calcite, sometimes columnar aragonite) and a yellowish to white outer zone consisting of nacre (tabular aragonite). In a pearl cross-section such as the diagram, these two different materials can be seen. The presence of columnar calcium carbonate rich in organic material indicates juvenile mantle tissue that formed during the early stage of pearl development. Displaced living cells with a well-defined task may continue to perform their function in their new location, often resulting in a cyst. Such displacement may occur via an injury. The fragile rim of the shell is exposed and is prone to damage and injury. Crabs, other predators and parasites such as worm larvae may produce traumatic attacks and cause injuries in which some external mantle tissue cells are disconnected from their layer. Embedded in the conjunctive tissue of the mantle, these cells may survive and form a small pocket in which they continue to secrete calcium carbonate, their natural product. The pocket is called a pearl sac, and grows with time by cell division. The juvenile mantle tissue cells, according to their stage of growth, secrete columnar calcium carbonate from pearl sac’s inner surface. In time, the pearl sac’s external mantle cells proceed to the formation of tabular aragonite. When the transition to nacre secretion occurs, the brown pebble becomes covered with a nacreous coating. During this process, the pearl sac seems to travel into the shell; however, the sac actually stays in its original relative position the mantle tissue while the shell itself grows. After a couple of years, a pearl forms and the shell may be found by a lucky pearl fisher.
In 1914, pearl farmers began growing cultured freshwater pearls using the pearl mussels native to Lake Biwa. This lake, the largest and most ancient in Japan, lies near the city of Kyoto. The extensive and successful use of the Biwa Pearl Mussel is reflected in the name Biwa pearls, a phrase which was at one time nearly synonymous with freshwater pearls in general. Since the time of peak production in 1971, when Biwa pearl farmers produced six tons of cultured pearls, pollution has caused the virtual extinction of the industry. Japanese pearl farmers recently cultured a hybrid pearl mussel – a cross between Biwa Pearl Mussels and a closely related species from China, Hyriopsis cumingi, in Lake Kasumigaura. This industry has also nearly ceased production, due to pollution.
In general, cultured pearls are less valuable than natural pearls, whereas imitation pearls have almost no value. One way that jewelers can determine whether a pearl is cultured or natural is to have a gemlab perform an X-ray examination of the pearl. If X-rays reveals a nucleus, the pearl is likely a bead-nucleated saltwater pearl. If no nucleus is present, but irregular and small dark inner spots indicating a cavity are visible, combined with concentric rings of organic substance, the pearl is likely a cultured freshwater. Cultured freshwater pearls can often be confused for natural pearls which present as homogeneous pictures which continuously darken toward the surface of the pearl. Natural pearls will often show larger cavities where organic matter has dried out and decomposed.
When a cultured pearl with a bead nucleus is X-rayed, it reveals a different structure to that of a natural pearl (see diagram). A beaded cultured pearl shows a solid center with no concentric growth rings, whereas a natural pearl shows a series of concentric growth rings. A beadless cultured pearl (whether of freshwater or saltwater origin) may show growth rings, but also a complex central cavity, witness of the first precipitation of the young pearl sac.
The introduction and advance of the cultured pearl hit the pearl industry hard. Pearl dealers publicly disputed the authenticity of these new cultured products, and left many consumers uneasy and confused about their much lower prices. Essentially, the controversy damaged the images of both natural and cultured pearls. By the 1950s, when a significant number of women in developed countries could afford their own cultured pearl necklace, natural pearls were reduced to a small, exclusive niche in the pearl industry.
Despite the common misperception, Mikimoto did not discover the process of pearl culture. The accepted process of pearl culture was developed by the British Biologist William Saville-Kent in Australia and brought to Japan by Tokichi Nishikawa and Tatsuhei Mise. Nishikawa was granted the patent in 1916, and married the daughter of Mikimoto. Mikimoto was able to use Nishikawa’s technology. After the patent was granted in 1916, the technology was immediately commercially applied to akoya pearl oysters in Japan in 1916. Mise’s brother was the first to produce a commercial crop of pearls in the akoya oyster. Mitsubishi’s Baron Iwasaki immediately applied the technology to the south sea pearl oyster in 1917 in the Philippines, and later in Buton, and Palau. Mitsubishi was the first to produce a cultured south sea pearl – although it was not until 1928 that the first small commercial crop of pearls was successfully produced.
Pearls come in eight basic shapes: round, semi-round, button, drop, pear, oval, baroque, circled and double bouldered. Perfectly round pearls are the rarest and most valuable shape. Semi-rounds are also used in necklaces or in pieces where the shape of the pearl can be disguised to look like it is a perfectly round pearl. Button pearls are like a slightly flattened round pearl and can also make a necklace, but are more often used in single pendants or earrings where the back half of the pearl is covered, making it look like a larger, rounder pearl.